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Huh? I don’t know if its the tabla that accompanies through the main course or the group of violins and flute that beautify the interludes that puts me to a semi-sleep state with a smug face. A romantic lightness pervades here, be it the lyrical word play (ennathan unnai ennithan) or Chitra’s yearning rendition of those words even the shenai interlude, which has a native pathos in it sounds just right for a happy couple. Elangathu Veesudhe, Pithamagan - The opening flute piece contemplates if it should stop breezing or just mellow down and pick up the momentum again.Ī just-about-perfect piece once can compose for rural love birds.ĩ. For such a serene mood piece which starts with a simple and absorbing pallavi, there are numerous beautiful minor variations in the charanam. A magnificent bass guitar accompanies Sriram Parthasarthy’s smooth voice setting almost a prelude for a meditative session. But not quite, an interlude is totally dominated by percussion which makes the piece seem apart from the whole, but when you see the visual you’d know why Raja did that. It was the director who wanted a beautiful aberration and the meastro has simply obliged. Yesterday, my hit count crossed 30,000.One of the rare occasions where the choreography comes close to the composition.
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#SUBRAMANIAPURAM GOOGLE PALY MOVIE#
Now, that’s just peanuts for a lot of movie sites, which on an average have as many visitors everyday. Many thanks to the few regular visitors - Varaha, Suresh, Shreeja, Randramble.But these peanuts are special to me baby steps no doubt, but ScreenArt is moving forward. sorry if I’ve missed any other names - I don’t know you unless you comment here. My review of Babel is the biggest puller.(My feedburner says that there are 25 subscribers as of today). I estimate that somewhere around 3K visits were from search results for variations of Babel. #Subramaniapuram background music movie#.